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How to balance show and tell across genres
Knowing how to balance show vs. tell across different genres starts with a practical question: what does the reader need to feel, understand, or suspect at…
Why we love unlikable characters
Reader loyalty can look completely irrational: a character lies, behaves selfishly, or treats everyone around them with contempt, and still holds attention for…
Winning an agent’s attention with a strong book pitch
A literary agent is not a substitute editor who reads every cold submission. They look for a book with a clear market position, a distinctive voice and a story…
Writing a multi-perspective novel with distinct voices
A multi-perspective novel can give readers a wider emotional and dramatic view of a story. Each narrator may notice different details, carry a different…
Understanding Royalty Statements for Authors and Publishers
A royalty statement shows how money from a work has been earned, calculated and paid. For an author, it explains what the publisher owes under a publishing…
Researching A Novel Without Losing The Plot
Research gives a novel texture, credibility and emotional weight. It can place a character convincingly in a particular suburb, profession, historical period…
Finding the lyric thread in narrative prose
Lyrical prose carries some of the pressure, music and compression of verse without turning every sentence into a line of verse. The role of poetry in prose is…
Crafting satisfying endings: resolutions that respect character journeys
An ending can stop the action, yet still leave a reader feeling cheated. A satisfying ending does more than explain what happened: it completes the emotional…
Make every threat intimate and impossible to ignore
A thriller becomes frightening when the countdown is attached to a life we can recognise. A delayed medicine order is more urgent than a vague threat to the…
Believable Romantic Tension Without the Miscommunication Trap
Creating believable romantic tension that doesn’t rely on miscommunication starts with attraction shaped by competing needs. Each character should want…